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    <loc>https://kettlecornnewmusic.com/events</loc>
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    <lastmod>2022-04-26</lastmod>
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      <image:title>Events</image:title>
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      <image:title>Events</image:title>
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  <url>
    <loc>https://kettlecornnewmusic.com/media</loc>
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    <lastmod>2019-09-16</lastmod>
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  <url>
    <loc>https://kettlecornnewmusic.com/about</loc>
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    <lastmod>2018-11-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5bb95b82da50d330b260f6d5/1538935362940-391ELNT01YU3W5VL2NK3/AlexBio5.jpg</image:loc>
      <image:title>About - Alex Weiser</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5bb95b82da50d330b260f6d5/1538885225900-NVWMVGNZGGYRYJ2DBK62/ChrisBio3.jpg</image:loc>
      <image:title>About - Chris Rogerson</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5bb95b82da50d330b260f6d5/1538885226271-72IQPD05FYQ88WUN3FOX/EmilyBio2.jpg</image:loc>
      <image:title>About - Emily Cooley</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5bb95b82da50d330b260f6d5/1540166384080-1KTWZC3OAH6NIJ05VWJ5/LorenBio4.jpg</image:loc>
      <image:title>About - Loren Loiacono</image:title>
      <image:caption>Lauded by the New York Times as “plush, elusive” and “alluring,” the music of Loren Loiacono (b. 1989) has been performed at Carnegie Hall's Stern and Zankel Halls, Minneapolis's Orchestra Hall, the DiMenna Center, St. Petersburg's Small Hall, and on WSHU and WQXR's Q2 radio. A native of Stony Brook, New York, she is currently pursuing her Doctorate in composition at Cornell University, where she is a student of Steven Stucky. She previously received her M.M. and B.A. from Yale University. Her works have been performed by such ensembles as the Minnesota Orchestra, American Composers Orchestra, St. Petersburg Chamber Philharmonic, 5th House Ensemble, Argento Ensemble, and many others. She has received awards from ASCAP's Morton Gould Awards (2013, 2005), New York Youth Symphony's First Music Commissioning Program (2014), Minnesota Orchestra Composers Institute (2015), and the National Foundation for the Advancement of the Arts (2006), and been a fellow at the Aspen Music Festival, Bang on a Can Summer Music Festival, Norfolk Chamber Music Festival, Atlantic Music Festival, and Copland House's CULTIVATE, among others.</image:caption>
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      <image:title>About</image:title>
      <image:caption>Sandbox Percussion and Eliza Bagg Lauded by The Washington Post as “revitalizing the world of contemporary music” with “jaw-dropping virtuosity,” and “a bombshell of raw-talent” by I Care if You Listen, Sandbox Percussion has established themselves as a leading proponent in this generation of contemporary percussion chamber music. Brought together by their love of chamber music and the simple joy of playing together, Sandbox Percussion captivates audiences with performances that are both visually and aurally stunning. Through compelling collaborations with composers and performers, Jonathan Allen, Victor Caccese, Ian Rosenbaum and Terry Sweeney seek to engage a wider audience for classical music. Last season Sandbox Percussion presented 36 performances throughout the United States, and made their international debut at the Festival International de Musique de Chambre en Charente, France. This season Sandbox will premiere a full orchestra version of Viet Cuong’s Re(new)al with the Albany Symphony on their opening gala evening concert. Sandbox will also make their United Kingdom debut in May 2019 at the Vale of Glamorgen festival giving the world premiere of a piece by Benjamin Wallace for percussion quartet and fairground organ. Sandbox will present four separate programs of music by John Luther Adams at Storm King Art Center, Tippet Rise Art Center, Caramoor Center for Music and the Arts, and String Theory concert series in Chattanooga, TN. Other highlights will include a performance of Music for Eighteen Musicians at Emerald City Music in Seattle, WA, and a performance of music by John Cage at the Institute for Advanced Study at Princeton University. Sandbox Percussion endorses Pearl/Adams musical instruments, Vic Firth drumsticks and Remo drumheads. Eliza Bagg is a Brooklyn and Los Angeles-based musician. Along with creating her own work, she has worked closely with a number of prominent and emerging composers including John Zorn, Michael Gordon, and Caroline Shaw, among others. Her 2018-2019 season includes Meredith Monk’s Atlas with The LA Philharmonic and The Industry, a collaboration with Daniel Wohl for voice and string quartet, a new piece by Bill Britelle with the North Carolina Symphony, small chamber pieces by John Zorn, and new works by Ben Frost, Julianna Barwick, and Angelica Negron written for her vocal trio’s performance at the Liquid Music Series. Bagg has been noted for her unique sound, which Pitchfork compared to "a lovelorn alien reaching out from the farthest reaches of the galaxy." Other recent performances include Michael Gordon's opera Acquanetta at the 2018 Prototype Festival, touring with Roomful of Teeth, and appearances at the Chicago Symphony Orchestra's musicNOW series, Duke Performances, the Metropolitan Museum of Art, the Kitchen, the Guggenheim, Infinite Palette, Alice Tully Hall, Tanglewood, Iceland Airwaves, and the Ecstatic Music Festival.</image:caption>
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    <image:image>
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      <image:title>About</image:title>
      <image:caption>HereNowHear: Ryan MacEvoy McCullough and Andrew Zhou Founded in 2016, HereNowHear consists of pianists Ryan MacEvoy McCullough and Andrew Zhou, who first met at Tanglewood and subsequently at Cornell University, founded to perform Stockhausen’s epic work Mantra for two pianos and electronics. Bringing together two compelling and dedicated performers of new works, the ensemble regards itself as a laboratory for compositional experimentation moved by a digitally autonomous (re)build-it-yourself spirit. Its core mission is to reinvigorate the repertoire for two pianists (+ collaborators) through commissioning, scholarly, and educational projects involving close, committed collaborations with composers, using traditional instruments to activate new sonic paradigms. The ensemble has received coachings from Stockhausen “favorites” Benjamin Kobler and Ellen Corver, as well as Pierre Laurent-Aimard and Tamara Stefanovich. They have appeared as a featured group at Northwestern University’s NUNC3! Festival, Washington University in St. Louis, the Vanguard New Music Series (Kent, OH), and the Stockhausen Courses (Kürten, Germany). Upcoming residencies and performances will occur with Kettle Corn New Music in New York City and Notre Dame University. The ensemble has commissioned and collaborated on new works from composers Christopher Stark and Loren Loiacono (premiere in April 2019). Other upcoming projects include work with visual/video artist Andrew Lucia and a new work by composer John Liberatore, supported by the Fromm Foundation, to be performed in the 2019–2020 season. HereNowHear references Chap. 1, iv. of Joyce’s Finnegans Wake.</image:caption>
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      <image:title>About</image:title>
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      <image:title>About - Transient</image:title>
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  <url>
    <loc>https://kettlecornnewmusic.com/contact</loc>
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    <lastmod>2018-10-13</lastmod>
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  <url>
    <loc>https://kettlecornnewmusic.com/support</loc>
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    <priority>0.75</priority>
    <lastmod>2018-12-21</lastmod>
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